Best tradeshow marketing tips and case studies. Call 800-654-6946.
Best tradeshow marketing tips and case studies. Call 800-654-6946.

All posts by: Tim Patterson

Tradeshow Marketing Expert & Dynamic Public Speaker/Trainer

It’s September: Do You Know Where Your New March 2020 Tradeshow Exhibit is?

Let’s say your company is looking ahead about six months to a show in March and you’re considering a new custom exhibit for the show. If the show is in the early part of March, you have less than six months before seeing the new exhibit leave the loading docks.

So what has to be done between now and then to ensure that you have the exhibit you want for the price you can pay?

First Questions

There are many things that have to be done in the next few months to make the process work well. Let’s start with the basic questions:

  • What size booth space are you going to need?
  • What is a realistic budget for the exhibit you want?
  • What company is going to guide you through the process and earn the business?

The first question, about booth size, is already set. Unless you’re upsizing from last year’s show, it’ll be the same as it was.

The budget question is a more difficult question, and there are any number of ways to look at it. First, when you say “realistic,” does that number come from what the accounting department told you? Does it come from a thorough research into what exhibit properties cost all the way through concept, design and fabrication? And does the budget figure include everything, or only the exhibit itself?

Industry Average Pricing

A couple of good places to start would be to understand what the industry, on average, charges for the various items. Do your research and find out what a typical custom exhibit costs. For example, recent figures show that inline construction can average about $1,340 per linear foot, give or take 10-15%. Which means a typical 10×20 custom inline booth will land somewhere close to $26,000 – $28,000. Could be more, could be less, but that’s a good number to start the discussion.

A recent industry average for custom island construction comes in a bit more – around $160 – $180 per square foot. If you’re looking at a 20×20, multiply 20×20 (400 sf) by $160 and you’ll get a rough budget of about $64,000. At least you’ll have a number in mind when you start getting prices back from exhibit houses.

Exhibit Function Needs

Next, look at the other factors that affect price, the pieces you want in the exhibit. What exactly do you need for the exhibit to function well to show off your products and services? Do you need demo stations? A stage for a professional presenter? Sample tables? Meeting spaces? All those will push the final price one way or another.

Choosing an Exhibit Company

The last question – what company you should work with – is a big one. After all, there are hundreds, if not thousands, of exhibit houses ready, willing and able to do the job. Unless you’re a huge exhibitor (think Microsoft or Nike), you don’t need one of those big exhibit houses. If your company is a small or medium-sized company, going to a big exhibit house has some benefits – and some drawbacks. The benefits are that they are more than capable of handling your job, and they may offer you some very creative designers as part of the mix. The drawbacks might be that if you’re a small client, it’s easy to get lost among all their big clients, which demand a lot of attention. Another drawback is that a larger company has a lot more overhead than a smaller company. They have to pay for a larger space, they have more employees, and so on. It’s a bigger business that they have to keep going.

Smaller exhibit houses also have tradeoffs, but in my experience, the smaller houses – with fewer clients – value those clients like gold and work hard to keep them. They make sure nothing goes wrong, or if something does, they will fix it as quickly as possible. Any business is built on relationships, but with fewer relationships, the importance of each client is paramount. Which would you rather work with? No wrong answers.

Another aspect to consider about which exhibit house to work with: location. Some exhibitors want to be able to stop by and see the progress on a new build. Or once the exhibit has been built, to be able to have the staff nearby to do any repairs or upgrades, or even store the exhibit. But many exhibitors don’t see not having the exhibit house nearby as a negative thing. We do much of our business online and via email and phone that distance is irrelevant. Again, no wrong answers – different people have different needs and priorities.

Timeline from Design to Fabrication

The next question to ask is how long will this take? Hence the title of the blog post.

Again, there are general guidelines, but each exhibit house will have their own schedule and availabilities. Fabrication is often the most straightforward part of the process. In other words, once everything has been decided, there are few surprises. But getting to the final design is what can take time. But it’s time well-spent. The sooner you start the conversation with a 3D exhibit designer, the better off you’ll be.

A good 3D exhibit designer is the key. She’ll know what questions to ask, how to draw out more details of what you want, and finally produce a mockup design for review and revision. This process can take what you might think is a lot of time. Prior to going into the first meeting, make a list of all of the items you need: meeting space, demo space, demo stations, stage, graphic display areas, etc. I’ve had clients bring us 2D “flat” graphic representations of what they wanted in an exhibit and it was a simple matter to convert that to a 3D rendering. I’ve had clients start with nothing, which meant we talked everything through in detail and let the designer take the lead and produce the first rendering, or a couple of options to choose from.

Different sized exhibits take varying amounts of time, as you might imagine. Custom takes longer than something “off the shelf.” If you want something simple, it’s often a matter of picking something from an online catalog, doing a little customizing and getting it in-hand in a month or two, not the five or size months you’d like for a larger custom island exhibit.

But if you’ve got a show on your calendar that’s six months out, no matter what size exhibit you have, if you’re targeting the show for a new one, it’s time to schedule that first conversation!


TradeshowGuy Monday Morning Coffee, September 2, 2019: Holly Paige

It seems like almost every tradeshow exhibit has a big video screen these days. But what about the content? How do you create content that is actually seen and delivers a message that’s critical to your brand amidst the chaos of a tradeshow floor? On this week’s TradeshowGuy Monday Morning Coffee, I chat with Holly Paige of Wave One Films in the Portland area about how to approach creating video for tradeshows:

Check out Wave One Films.

And this week’s ONE GOOD THING: Meshell Ndegeocello’s “Ventriloquism,” from last year. (NPR review)

Keeping Your Exhibit in Tip Top Shape

You have a new tradeshow exhibit. It looked great at the first show. Congratulations! Now what? Are you going to assume that it’s going to look the exact same for show 2, 3, 4, 5, and so on?

Unfortunately, it doesn’t necessarily work that way. An exhibit, whether stored in a touch wooden crate or a plastic molded rollable case or series of cases, has to be transported from your warehouse to the show floor. It makes many stops along the way. Forklifts pick it up, drop it down. It’s in the way when forklifts with other crates are zooming by on the showroom floor or the warehouse. Forks from the lift seem to have a knack for piercing crates and causing damage.

In other words, you have to invest to keep that once-new exhibit looking as good as new. Estimate vary but expect to invest another 5 – 15% of the original exhibit cost each year to keep it in good shape. And typically, it’s a good investment. The expected lifetime of an exhibit is about five years. By updating (new graphics, additional pieces) and refurbishing (paint, repairs, etc.), you can extend the life of your exhibit, effectively postponing a capital investment for a few years.

Most of the time that makes sense, but I’ve seen cases where the company pushed things much farther than practical. Yes, I’ve seen some exhibits nearly twenty years old, on their last legs, still standing in an exhibit hall. They were once proud and new, but now are just old and decrepit, even with a new coat of paint.

The decision to invest in refurbishment or a new exhibit often depends on a company’s image. With new materials such as aluminum framed lightboxes and fabric graphics, not only does a new exhibit give your company a brand-new look on the show floor, but the reduced weight compared to an old heavy exhibit makes shipping costs come down.

One of our favorite examples of a company deciding to stick with an iconic exhibit and extend the life is our client, Bob’s Red Mill, out of Portland. With a new 30×30 custom exhibit in 2012, they’ve not only expanded and updated, but they’ve dedicated a handful of their staff to make sure the exhibit is in top shape for every show. They refurbish by doing paint touch-up, modest repairs and more. They’ve even invested in new and refurbished shipping crates to further extend the life of the exhibits.

It’s all about getting the most bang for your tradeshow exhibit bucks, and one of the best ways is to extend the life of your exhibit in a creative and sensible way.


TradeshowGuy Monday Morning Coffee, August 26, 2019: Connecting the Dots

No doubt there are moments in your life where something happened that lead to something else quite unexpected. Taking a look back can you see how you might now be able to connect the dots?

TradeshowGuy Tim Patterson connects several dots in this episode of TradeshowGuy Monday Morning Coffee:

This week’s ONE GOOD THING: XMind Mind Mapping software.

Small Biz 101: Budgeting for Trade Shows

This is a guest article by Lee Becknell of Pinnacle Promotions.

Trade shows take a great deal of forethought and planning, but your business will reap substantial rewards from participating in these types of events. Maybe your business is relatively small and you’re looking to expand your demographic, or you’ve just undergone a company rebranding – trade shows can provide a platform to spread your brand’s message and inform people of your products or services.

Whatever your intentions may be for attending a trade show, you’ll need to put a lot of planning into the process, which includes creating a budget. Use this trade show checklist to ensure your budget is considering all essential components such as promotional products and trade show giveaways, travel and booth fees.

Booth Space

One of the most essential aspects of your trade show display, your booth should be secured as soon as you decide to attend an event. The larger the booth space, the more expensive the rental cost will be, so give some serious thought to how much space your company will actually need. Aside from booth size, the location of your display plays a role in price determination. If you’re interested in a spot closer to the trade show’s entrance, you’re going to end up paying more. Though a location closer to the entrance may gain more attention, opting for a booth further in the back of the space could cut costs.

Utility Expenses

Once you’ve selected a booth at the event, you’ll need to secure any other utilities your display may require, including electricity, WiFi, AV services and other accessories. This part of the budget often gets overlooked by those who are not as experienced with trade shows. As you’re planning for the event, consider what types of extras your booth may require. Are you planning to play an informational video about your company or show photos of products? You’ll need to make arrangements for electronic connections and TV displays. Write down any additional costs and then inquire with companies near the event space to get a price estimate and add this into your budget.

Staff Costs

For a successful trade show experience, you’ll need a well-trained, professional group of employees who are willing to attend the event and share their expertise with guests. Because trade shows are typically considered occurrences outside of normal work hours, you should factor in additional wages to compensate qualifying staff members. Prior to the event, you’ll also need to train employees on what to say, how to behave and what to wear at these events. To present a sleek, united front between employees, you can purchase uniforms specifically designed for trade shows like comfortable Nike t-shirts branded with your company’s logo.

Travel and Accommodations

Aside from booth rentals, traveling to the event can be one of the most expensive parts of your trade show budget. The best way to keep this cost down is through early planning. Determine which trade shows your company will attend for the entire year and then begin scheduling travel plans right away to avoid rising prices as the event approaches. Work with other members of the marketing team to decide how many employees will be needed at the event. Then, factor in the cost of flights or renting vehicle transportation plus hotel accommodations. Keep in mind that booking a place to stay far from the event may save money in the short term, but don’t forget the additional travel costs to get from the hotel to the convention center.

Promotional Products and Trade Show Giveaways

An excellent method for spreading your company’s message and brand, promotional products and trade show giveaways, commonly called “swag,” should be a focus for your trade show preparation. Offering some useful or unique items to attendees is a great way to capture their attention and give them something to take home that will remind them of your company.

Select well-known brand-name items and have them personalized with your logo or choose a promotional product that’s beneficial to others in your industry. It’s best to order these items in bulk to get the lowest possible price. In order to plan how much you’ll spend on promotional products, estimate how many trade shows the company will attend in a year and then research how many people are expected at each event to get a sense for the number of promotional products you should have on hand.

Booth Graphics

Now that you have your booth space figured out, you need to consider how you’re going to make your company’s area look attractive and professional—feel free to get creative here. Most companies that attend trade shows will order custom signs with the name of their business and sometimes the company motto. Offering brochures or pamphlets can help inform attendees about your business and give them something to remember you by along with promotional products. People who frequent trade shows are interacting with dozens of different businesses in a matter of hours or days. It’s rare that attendees will remember every single company they encountered, so providing them with helpful reminders, like handouts and trade show giveaways, will encourage information retention and may generate prospective leads.

Plan How to Transport Booth Accessories

Another minor detail that many companies overlook when planning for trade shows, logistics are essential to transporting your supplies. If you’re traveling a long distance with a lot of equipment (think TV displays, furniture for your booth, etc.), then you’ll likely need to book a freight service to deliver the accessories. For companies that don’t require much equipment, you can also consider shipping essential items, including your promotional products, to the trade show location to lower your overall cost. Be sure to get an estimate on either logistics services or shipping costs when planning your budget.


Lee Becknell serves as the Senior Digital Marketing Manager for Pinnacle Promotions. Lee oversees digital marketing from the Atlanta, GA headquarters. Lee has been with Pinnacle for over six years. Lee enjoys spending time with her husband, son and golden retriever, running and taking naps.

Designing and Preparing Graphics for Tradeshow Exhibits

You might think that designing graphics for a tradeshow exhibit is hardly any different from designing graphics for a brochure or a website. But you’d be wrong. There are a number of differences, and an experienced tradeshow graphic designer is an invaluable asset if you’re facing the prospect of doing it alone.

First things first. What’s different? The most obvious is that graphics are much bigger on a tradeshow exhibit than a website or brochure or sales sheet.

Second thing is that people will interact differently with tradeshow graphics than they will with a brochure or a website, which means your approach to crafting a design with an impactful message must be different.

Your message must be clear

And third, and perhaps the most important, the resolution of the tradeshow graphic file will by its very nature be much higher than a web design or print design.

High resolution is a must for tradeshow graphics

Since graphics are much bigger, and since people interact with tradeshow graphics differently than with websites and printed material, the design and messaging have to reflect that difference. Thousands of people walk by a typical tradeshow on any given day. They glance but often don’t see the graphic messaging. If their brain stops for anything, it’s for either a familiar logo or a bold question or statement. A supporting image such as a photograph can also be a factor in keeping someone attention for another few seconds if you’re lucky. Great care and decision making must go into the design: what image resonates with your brand and attracts attention? What message is important and can be communicated in a few short words?

File preparation is critical to keeping things on schedule

Finally, the crafting of the digital graphic files is critical to ensure high resolution in the output. I’m not a designer or a graphic printing technician, but I can pass along some of the general guidelines on how to prepare the files.

File Formats

Each printing facility and tradeshow exhibit house will vary slightly, but the main things to keep in mind are to make sure the graphics are submitted in an acceptable format. Typically, most printers accept Photoshop, Adobe Illustrator, Adobe InDesign or high-resolution PDFs. Other programs such as Quark, FreeHand, CorelDraw and Publisher are typically not acceptable. Neither are files such as Microsoft Word, or low-resolution JPEG, GIF, PICT or BMPs.

Font Specifications

Fonts are typically converted to outlines. If not, you’ll need to provide Macintosh of TruType fonts with the files.

Resolution

This differs from shop to shop, but I generally see requirements of setting up files at 100-120 pixels per inch at 100%. Anything smaller and the final print will show pixelization.

Color Specifications

Again, varies from shop to shop, but most ask for vector files in CMYK (Cyan, Magenta, Yellow, Black), and raster artwork in RGB (Red, Green, Blue). If this is over your head, speak to your graphic designer. An experienced designer can address these issues.

Uploading and Sharing Files

Given than tradeshow graphics are high resolution and cover a lot of square feet, the graphic production files are going to be big. We just did a set of banner stands this week where the graphic files for five stands amounted to about a gigabyte. Too big to email, so it’s got to be transferred. We typically create a sharable file on DropBox, but there are other tools to share big files, such as HighTail, Google Drive, SendSpace and others. Again, pretty easy to do. In fact, many companies have dedicated FTP sites where you can upload directly to them.

Final Thoughts

The topic of tradeshow graphic design, file creation and production can take up several books, and no doubt it has. This short blog post barely scratches the surface. Need to know more? Speak with experienced designers and production people that do it every day. They’re happy to share their knowledge and make sure you get the highest quality graphic you can.

TradeshowGuy Monday Morning Coffee, August 12, 2019: The F-Bomb

When’s the last time you heard a speaker drop the F-Bomb on stage in the middle of a presentation? How did you feel about that? No biggie? Offended?

In this week’s TradeshowGuy Monday Morning Coffee, I take a gander at the use of the F-Bomb in business settings and when it might be appropriate. Or not.

This week’s ONE GOOD THING: The Abbey Road Crossing Live Web Cam.

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