It’s 2020. Seems like everyone wants something new. After all, this century is no longer a teenager! Hey, if the century were a human, it could almost drink!
So…what’s new in the tradeshow industry?
At TradeshowGuy Exhibits, we work with a handful of vendors: designers, manufacturers and other suppliers in the tradeshow industry.
Classic Exhibits
Our main partner since we started this business has been Classic Exhibits. If not for them, we wouldn’t be in business. Classic Exhibits is a ‘white label’ manufacturer that designs and sells products through a network of distributors. They’ve gone from kind of a kit designer and manufacturer to doing a lot of custom work. It’s where the industry is going, and Classic Exhibits is among the companies leading the way.
And when they introduce something new, it’s good. More than good. It’s groundbreaking. In the last couple of years, they introduced Gravitee, a tool-less exhibit system that sets up easily, breaks down quickly and ships flat. It’s made a difference to clients of ours at Classic Exhibits. In fact, the first time we set up a Gravitee wall with an installation and dismantle crew, they were impressed with how easy and quickly it went up.
Our new Tool-less SuperNova Lightboxes achieves all of those goals. While there may be more “complicated” solutions, there are none stronger or easier. We estimate the new tool-less connectors reduce assembly by 70-80%. Plus, the splines and the corner connectors can stay on the extrusion reducing the possibility of lost parts. Even the translucent knobs are innovative since they eliminate shadows and reflections.
Can’t wait to see these in action.
Orbus
We also work with Orbus, which provides numerous – maybe countless – options for popups, banner stands, table throws and more. They have high quality combined with budget pricing – a good combination.
And they’re kicking off 2020 by introducing a variety of new products, including digital banners, outdoor tents, shaped signs, smaller (and larger) HopUp fabric stands, and more. Many of these are lightweight, easy to set up by just a person or two, and priced right. See the selection of new designs and products here.
We’ve enjoyed working with other manufacturers and vendors through the years, but when it comes to something new, both Classic Exhibits and Orbus have taken the initiative to keep bringing the “NEW” to the New Year.
Back from Thanksgiving week, a nice few days away from work.
Sit down at the computer Monday morning.
Hundreds of emails piled up in my in-box. 785 to be precise. Lots of them with pitches on Black Friday and Cyber Monday. I mean, a ton of pitches.
Delete them all: delete, delete, delete. Don’t bother to
read them. They do nothing for me.
On a few, I decide to unsubscribe. But that takes longer.
And with most of the newsletters I unsubscribe from, I feel like they keep
sending me stuff. So what’s a guy to do?
It’s obvious that none of those emails stood out. They did nothing for me (I think I said that already). I’m not looking for any Black Friday or Cyber Monday deals, I have work to do. I’m not looking for Christmas presents for anyone, or to save money on things that I probably would not buy at any point. I’m busy and want to get these off of my to-do list as soon as possible, which means I’m scanning quickly and deleting almost everything once I determine it’s not a client, or a potential client.
I’m not their target market.
Email is one thing. Let’s move from email to other venues, such as retail, or online ads, or, hey, tradeshows!
When people walk by your retail store in a shopping mall, are you doing anything to stand out?
When you advertise online, what makes your ad stand out?
When people walk by your tradeshow booth, are you doing
anything to stand out in a crowd?
It’s easy to ignore and delete an email. It’s easy to walk by a retail store without stopping. It’s a piece of cake to ignore ads on your screen.
It’s pretty easy to walk by a tradeshow booth, too, unless something really outstanding is going on at the booth. Maybe it’s a unique booth. Maybe it’s a presentation that draws you in, entertains you and informs you of the company’s products and services. Maybe it’s a unique food sample. Could be anything.
Tradeshows have a distinct advantage over emails, and here’s
why: emails go out to people who have (supposedly) opted-in to a company’s
pitches. But over time, it’s not uncommon for that company – which is often
owned by another entity – to share that email address with another company, and
soon you’re getting pitches from (somewhat) related companies or products or
services. Has that happened to you? Happens all the time to me.
The difference that tradeshows have is that you have spent
handsomely to be at the show. But the show is targeted, the audience is
specialized. The people walking the show floor have also paid to be there, and
they are usually there for specific reasons, the main one being that they are
SHOPPING for something, and since you’re exhibiting there, chances are they’re
SHOPPING FOR SOMETHING YOU ARE SELLING.
Still, you have to stand out in a crowd. Tradeshows have a
lot of competition. Your biggest and best competitors are doing all they can to
make their best pitch to the same people you’re pitching. That’s the name of
the game.
Which means that whatever you do, it had better be good. It
had better be worth your time and money.
It had better be something that stands out in a crowd.
It’s a common refrain: tradeshows don’t work for me. They’re too expensive. I don’t get enough leads.
And unfortunately, it’s true for too many exhibitors. It’s easy to look at the exhibitor list of a show year after year and point to companies that give it a try once or twice never to return.
Look at the flip side, though: there are thousands of exhibitors that go back to the same few shows year after year, take home a stack of leads, create more business and firmly believe that tradeshows are the most powerful marketing tool they have at hand.
I know that’s true because I work with those kinds of exhibitors.
Now, not every single exhibitor I’ve worked with is successful. Some have
fallen off the wagon along the way. Others have shifted their marketing
efforts. Some have taken a step back from tradeshows and reassessed their
program, but eventually make it back bigger and better.
What’s the difference?
We could point to any number of things: their booth space is
lousy and doesn’t have enough traffic; their booth is small and nondescript;
their staff is bored (and boring) and so on. But it all boils down to just two
things:
Having a good plan and being committed to that plan.
Plans are great. Everyone should have one. But what about
having a bad plan? Bad plans do certainly exist. And having a bad plan is not a
good thing.
Back to that “good plan” and “being committed” to the plan. A
good plan can come from knowing your goals, your budget, your people; knowing
the show and your competitors, and knowing what you really want out of the
show. That good plan can be enhanced by having a well-trained booth staff,
having a standout exhibit and having the most popular products in the show. But
those last three things, the staff, exhibit and best products, are not
completely necessary to have a good result. They’re important, sure, but they’re
more like frosting on the cake. You gotta build a good cake first.
Answer these questions:
What do you want out of the show? In other words, why are you there?
How are you going to know if you got what you wanted? How are you going to measure your results?
What are the steps you need to take to get what you want? What will it take to get exactly what you want?
Sometimes it takes a little brainstorming and communication
with the various members of the team. Sometimes it means knowing what worked at
your last show and knowing what didn’t work. Be honest. Sometimes you have to
be brutally honest to say that having that crazy mascot uniform didn’t really
work, or that having the general manager do the in-booth presentations didn’t
draw that many people. There are lots of reasons why things don’t work and
assessing and understanding those ideas will help you move forward.
Another way to look at it is to ask yourself: When I get
back in the office the morning after the show and say, Man that was a great
show! What does that mean to you?
It’s not the same for every company.
Once you’ve defined the main goal of your tradeshow appearance,
break it up into pieces. If you want 300 leads over a three-day show, you’ll
need 100 a day. If the show is open from 10 am to 5 pm, that’s 8 hours. You’ll
need to average 12.5 leads per hour, or one about every five minutes. If you’re
doing demos, for example, and you know that for every demo you do there are 15
people on average standing there, and three of them are good leads, that means
you’ll need to do a demo about four times an hour. If, on the other hand, you
get six leads for every demo, that means you only need two demos an hour. Or,
you could try to double your projected leads by doing demos four times and
hour.
Run the numbers. If you want to give away 1,000 product samples
or sign up 200 people for lengthier demos in the next three months, you know
what that will break down to by just doing the math.
If your goals are not so straightforward, you can still look at it from an angle that will help. Maybe you want to make solid connections with only three distributors that, if you can get them to carry your products, would double your company revenue in the next two years, figure out what organizations are the best and most likely candidates. Make whatever effort you need to set and confirm appointments at the show. Yes, tradeshow success is all in the numbers, and it’s all in the ability to show off your products and make sales. So do the math, do the outreach. But don’t forget that we’re all humans – you and your prospects – and there’s often not a straight line to success. Make allowances for that, learn from your missteps and do better the next time. That’s what it’s all about.
A good piece of fiction is surprisingly like a good
tradeshow marketing effort. You don’t believe me? Let’s take a look. What
happens when you read a good piece of fiction?
1. Create a unique world.
Fiction allows an author to create a world that exists only in one place: the reader’s mind. A good tradeshow exhibit and marketing plan creates a world that exists only in your booth. Whether it’s a unique display, a professional presentation or a one-of-a-kind activity, creating a unique world for your visitor is a good way to make sure they remember you. Having a great product that no one else offers is also a good way.
2. Create tension.
A good story has tension that pulls the reader further into the story. A good tradeshow exhibit can create a good kind of tension. Maybe it’s a compelling and challenging statement on their graphic, or maybe it’s a challenging question that makes you stop and want to know more. That tension creates a kind of desire to learn more.
3. Know who your story is for.
I like to read detective page-turners and mysteries. I don’t like to read romance novels or fantasy. A good tradeshow marketing plan knows exactly what audience is attracted to their type or product or service and they don’t try to bring in anyone that isn’t interested.
4. The main character in a story has a “super objective.” What’s yours?
I recently heard this concept about a character’s super objective. You may not actually see this super objective detailed in the story, but it drives the main character. Jack Reacher, for example, is compelled to do what he can to right the wrongs that he sees. Harry Bosch believes that ‘if anybody counts, everybody counts,’ when it comes to solving a murder. No one gets more or less attention simply because of their place in society.
5. There’s always an objection (or a hurdle).
Know your prospect’s objections. Any novel where the protagonist has no hardships or obstacles is a boring novel. Expect your potential clients to have tough questions. If they do, it shows they’re interested and want to know more. Identify the most common objectives and make sure your booth staffers know how to answer those questions.
6. Keep the page turning.
Have you ever gotten part way through a book and just decided that you couldn’t finish it? Maybe it was boring. Maybe it wasn’t your type of book. Maybe you bogged down in too many unrelated bunny trails and lost the main story. In a tradeshow booth, show your attendees enough compelling evidence – the storyline, as it were – to stay until they learn enough to know if they’re going to buy from you or not. Depending on your product, this might mean that you’re giving in-booth demonstrations or training sessions, or your professional presenter is sharing enough information in a lively and engaging manner that compels the visitor to want to find out more.
7. Deliver the goods: make it a great ending.
Every novel has a wrap up where you find out what happened to the character, the storyline. It’s the payoff. Does your product or service make that same delivery? Are they the great payoff, the great ending that your prospect is looking for?
Yes, I think fiction can be a good inspiration for tradeshow marketing. By using the various elements contained in a good novel, you can create a template for showing your visitors all of the best of your products or services in a compelling and intriguing manner.
I’m no expert on exhibit design or figuring out the
potential customers for a specific product – let’s leave that to the people who
have a lot of experience in that area and it’s not me – but I’ve picked up a
few things along the way by talking to a lot of experts.
One thing that seems clear is that if you know who your
audience is, what kind of products they buy, what kinds of stores they like to
shop at, and why they buy your products, all of that information can be assimilated
in a synergistic way to help determine the look and feel of your tradeshow
exhibit so that your potential customers feel a familiarity; they feel at home
when they see your exhibit.
What do I mean by that? Let’s say you’ve determined that the
people who buy your products the most are a specific type of person: maybe they
shop at Target a lot, but also like Bed, Bath and Beyond. Or they like Applebee’s
but not Pizza Hut. They like Urban outfitters and J. Crew but not The Gap. And
so on. The more information you can distill about your products’ appeal – and who
is buying those products from you, the more you have to help design your tradeshow
exhibit.
Are you trying to echo the look of a specific store interior?
Let’s say, for example, that your products attract people who
shop at Whole Foods for groceries. If you are selling a food product, it
probably makes sense to incorporate some design elements that are popular at
Whole Foods into your exhibit design. Not to copy the design, but to echo the
design elements. Do they use recycled wood? Do they use a pastel color on
counters or product shelves? Then consider incorporating those elements in the exhibit
design.
Exhibit designers have the experience and the skill to not
only create a three-dimensional model complete with floor plans, traffic flows,
height restrictions and sensibilities, but they know how to take those colors
and patterns and textures and incorporate them into product displays, greeting
counters, light boxes and flooring patterns.
If done right, your potential customer will take one look at
your exhibit and even if they’re not familiar with your brand (yet), they will
feel at home because you’ve done your homework and created an exhibit that
understands them and what they like.
You just need to know who your ideal customer is and what
brands or stores they’re already comfortable shopping at.
With well over 10,000 different tradeshows happening in the United States annually, it is no secret that it can be a daunting task to choose the right type of trade show for your company to sponsor. After all, no two tradeshows are alike when it comes to their audience, objectives, and theme. All the research, preparation, and organization that go into designing and creating an exhibit can be especially daunting for small-business owners or first-time exhibitors. If that’s you, go with a full-service tradeshow company. They’ll take care of every aspect of your exhibit, from start to finish. And if they’re really good, they’ll show you the ropes along the way! Below are 5 tips for finding the right tradeshow exhibitor company.
1. Referrals
You can begin your
search for a display builder by asking for referrals from your industry
associations, colleagues or searching an online query for trade show display
companies.
Most reputable exhibit companies have their own websites where you can view their portfolios and learn more about the range of services they offer. You may also want to consider attending a tradeshow in an unrelated industry and see if the particular layout and styles are what you are looking for. Then ask the staff running the trade show for the name of the exhibiting company. Some tradeshow display companies only provide design and production of the booth, while others also assist with shipping, staffing, set up, take down, and the creation of promotional literature, among other services. All of these aspects are something to consider in your search.
2. Have A Goal in Mind
What is your reason for exhibiting? Are you attempting to grow brand awareness, generate leads or make face-to-face connections? This is important because it will play a role in determining the design requirements of your exhibit. When you find a company that you want to work with, it’s important to make them aware of your goals so they can use that information to help layout the exhibit floor to help you reach them. If you can have a conversation with an exhibitor company and they immediately start generating ideas based around your goals, then they may be a good fit!
3. Excellent Customer Service
Find a company that offers first-rate project management services to give you a relaxed trade show planning experience. A good customer service team that will go above and beyond to assist clients. At every phase of the design and fabrication process, this company will collaborate with you in order to ensure that your exhibit reflects your ideal brand image. A bonus would be if the company will stage all of our tradeshow booths in their facility before the event so you can experience your booth in person or via video.
Bring on the deck and a fake pool at Birch Benders
4. A Portfolio of Past Tradeshow Booths
When clients are seeking design services, they should pay careful attention to the portfolio provided by the exhibit design company. A portfolio gives potential customers insight into the company’s past work and tells the customer whether they can get the results needed from the designer. Find companies that have a vast portfolio. Again, not one tradeshow is the same. Yours shouldn’t be either. You want to gear it toward your goals and your potential audience. A great experience will keep visitors coming back in future years.
5. Proven Track Record
If you’re searching for
companies online, you’ll usually find this information on the “about us” and
“testimonials” page of their websites. Look for information on how long they’ve
been in business, as well as the earliest events for which they helped their
clients and customers.
Generally, it’s best to
look for established companies that have been in business or doing business for
at least a decade, as they’re the most likely to understand your unique needs
as a business and have a proven process for preparing for trade shows.
There you have it, these are five really important aspects to keep in mind when you are in the process of setting up a tradeshow and trying to find the right exhibitor company to partner with. Remember not to get too stressed out. Find a company that can be an extension of your team and that gives you the trade show you have been envisioning throughout your planning process.
Mark Yuska in the President of Alliance Exposition. Alliance Exposition is a General Service Contractor that focuses on setting up trade show exhibits for small to medium size events.
Wait a minute, how do you mean “mean”? As in average? As in
angry?
Nope, as in “very skillful or effective” in a more informal
sense: “she’s a mean bowler!”
But when it comes to having a clean and mean booth at a
tradeshow, how might that work? Let’s explore.
Skillful and effective can certainly come in to play with your tradeshow presence. Your booth staff should be well-trained and know how to ask the right questions and collect valid and helpful answers.
Your exhibit itself should be clean. Having a small carpet sweeper or dust buster can help keep the floors clean. Garbage cans should be emptied regularly, especially if you’re at a show where a lot of samples are handed out, leaving behind a trail of debris.
Hiding things: most exhibits have counters or closets where personal items and extraneous items are kept. Often brochures or other needed items can be stored under a skirted table. In any event, keeping those extras out of sight helps to keep your booth mean and clean.
No food or beverages in the booth space. Yes, if you’re sampling foods, then it’s okay. But your staff shouldn’t be eating or drinking in the booth space. Psychology shows that often visitors will turn and go the other way if they encounter a staffer eating in the booth. It’s not inviting at all.
Have enough staff for the show. It’s a fine line: having too few or having too many staffers. Knowing the right amount and being able to effectively schedule the staff so that there’s always the right amount of staff comes from experience.
Knowing who the staff are: does this mean they all have readily identifiable badges or color-coded clothing? I’ve been in booths where it was impossible to know who part of the team was. In other booths, all of the staffers were wearing the same color shirt or wearing a shirt that was plainly branded with the company name.
Keep your exhibit and booth presence clean and mean for an edge over your competitors.
Looking to save money on a tradeshow exhibit? Of course you are! And chances are, throughout the course of the next year, you’ll have a want or need for something that shows up on our regularly updated pages on our Exhibit Design Search. Whether it’s an Exhibit Special or a Lightning Deal, it might be just what you’re looking for.
These are no “close-out” specials that are collecting dust in the warehouse. Nope, these are regular items – either custom or “off the shelf” – that typically sell for full retail price. But on occasion, we grab some of the items and put them into one or of the categories and drop the price.
For example, you might see a custom hybrid 10×20 exhibit that sells for around $30,000. But if it lands in the Lightning Deal, the price might drop ten percent to around $27,000. A $3,000 savings to your bottom line, just like that. Lightning Deals generally last a couple of weeks, so if you see something that is a great fit, grab it fast!
The Exhibit Specials, on the other hand, are more general savings that span a category, such as a specific style (Gravitee or Segue), or a type (light boxes or EcoSmart inlines). On occasion there might be discounts on discontinued models as well.
Saying all of this, it behooves you to visit these categories and return. That means returning to the Lightning Deals every couple of weeks, and visiting the Exhibit Specials every month or so. Even if you’re not currently looking for a new exhibit, you might find great deals on accessories such as lights, counters, shipping cases and so on.
Let’s face it, when you’re shopping for a custom tradeshow exhibit, the dollar signs can often start spinning so much your head soon follows. Things can get expensive in the tradeshow world, so it makes sense to figure out ways to save money along the way.
Start with the premise that the reason custom tradeshow exhibits
can be expensive for any number of reasons. First, there are a lot of people
involved: designers, account executives, fabricators, detailers, crate builders
and so on. Things are usually hand-crafted in the exhibit world in the sense
that each piece has human hands on it several times. Even if a CNC machine is
programmed to cut metal or wood, a human still has to make it happen. Building an
exhibit is not mass manufacturing. Its individually crafted items designed and
built to look spectacular.
How to keep the costs down? Here are six ways:
Consider starting with a kit. Many exhibit builders offer a number of kits to keep costs lower. With a kit, the design is generally pre-determined. But with a good kit, there are always opportunities to customize the kit. In a sense, you’re creating a hybrid between custom and ‘catalog’ designs. Shop the company’s website for kits that might give you a good starting point.
Know exactly what you want and get nothing more. A custom exhibit is great in that, as part of the design process, you can identify what you need – exactly. If you need just three shelves for product display, don’t go for four or five or six. Those can usually be added later. Need a charging table? There are always low budget options that are not custom but can be custom-branded.
Work with lightweight materials. While there still are many heavy wood-built exhibits that appear at shows – usually for a great reason because it’s part of the brand – more exhibits are moving to lightweight materials such as aluminum frames and fabric graphics. Not only are the materials lighter, which means they ship for less, but fabric graphics fold up and ship in a smaller space.
Rent furniture. If you rent the same thing show after show, it’ll add up and eventually you’ll end up paying more for the furniture than it you owned it. But keep in mind, but owning it, you have to pay to ship it, pay to store it, and pay to replace it. And furniture that you own will get scuffed, nicked and damaged over time. With rental furniture, you get brand new or like-new items, you get to choose from the latest styles, and you don’t have to worry about shipping or storing.
Don’t rush it. By planning ahead for a custom designed and fabricated exhibit, you’re avoiding rush fees, last minute glitches and a calendar that is rushing at you like a runaway train. Once you’ve decided on a new exhibit, sit down with your exhibit provider and work out a realistic timeline so that all parties know what’s expected of them and when.
Preview the exhibit. It’s pretty common to do this, but I have seen occasions where it’s not done, and it’s led to having to make expensive fixes on the show floor or have revised graphics printed at a rush fee and shipped using an expensive overnight service. Previews are generally designed to make sure everything works like it’s supposed to, to make sure all the graphics fit, and nothing is left out. Even if you can’t be there, make sure you have lots of photos of the preview.
Whether you’re looking for a custom exhibit, a modular exhibit from a catalog or something in between, most exhibit houses are willing to discuss your budget and what you can realistically expect to get for your money.
Let’s say your company is looking ahead about six months to a show in March and you’re considering a new custom exhibit for the show. If the show is in the early part of March, you have less than six months before seeing the new exhibit leave the loading docks.
So what has to be done between now and then to ensure that you have the exhibit you want for the price you can pay?
First Questions
There are many things that have to be done in the next few months to make the process work well. Let’s start with the basic questions:
What size booth space are you going to need?
What is a realistic budget for the exhibit you want?
What company is going to guide you through the process and earn the business?
The first question, about booth size, is already set. Unless you’re upsizing from last year’s show, it’ll be the same as it was.
The budget question is a more difficult question, and there are any number of ways to look at it. First, when you say “realistic,” does that number come from what the accounting department told you? Does it come from a thorough research into what exhibit properties cost all the way through concept, design and fabrication? And does the budget figure include everything, or only the exhibit itself?
Industry Average Pricing
A couple of good places to start would be to understand what the industry, on average, charges for the various items. Do your research and find out what a typical custom exhibit costs. For example, recent figures show that inline construction can average about $1,340 per linear foot, give or take 10-15%. Which means a typical 10×20 custom inline booth will land somewhere close to $26,000 – $28,000. Could be more, could be less, but that’s a good number to start the discussion.
A recent industry average for custom island construction comes in a bit more – around $160 – $180 per square foot. If you’re looking at a 20×20, multiply 20×20 (400 sf) by $160 and you’ll get a rough budget of about $64,000. At least you’ll have a number in mind when you start getting prices back from exhibit houses.
Exhibit Function Needs
Next, look at the other factors that affect price, the pieces you want in the exhibit. What exactly do you need for the exhibit to function well to show off your products and services? Do you need demo stations? A stage for a professional presenter? Sample tables? Meeting spaces? All those will push the final price one way or another.
Choosing an Exhibit Company
The last question – what company you should work with – is a big one. After all, there are hundreds, if not thousands, of exhibit houses ready, willing and able to do the job. Unless you’re a huge exhibitor (think Microsoft or Nike), you don’t need one of those big exhibit houses. If your company is a small or medium-sized company, going to a big exhibit house has some benefits – and some drawbacks. The benefits are that they are more than capable of handling your job, and they may offer you some very creative designers as part of the mix. The drawbacks might be that if you’re a small client, it’s easy to get lost among all their big clients, which demand a lot of attention. Another drawback is that a larger company has a lot more overhead than a smaller company. They have to pay for a larger space, they have more employees, and so on. It’s a bigger business that they have to keep going.
Smaller exhibit houses also have tradeoffs, but in my experience, the smaller houses – with fewer clients – value those clients like gold and work hard to keep them. They make sure nothing goes wrong, or if something does, they will fix it as quickly as possible. Any business is built on relationships, but with fewer relationships, the importance of each client is paramount. Which would you rather work with? No wrong answers.
Another aspect to consider about which exhibit house to work with: location. Some exhibitors want to be able to stop by and see the progress on a new build. Or once the exhibit has been built, to be able to have the staff nearby to do any repairs or upgrades, or even store the exhibit. But many exhibitors don’t see not having the exhibit house nearby as a negative thing. We do much of our business online and via email and phone that distance is irrelevant. Again, no wrong answers – different people have different needs and priorities.
Timeline from Design to Fabrication
The next question to ask is how long will this take? Hence the title of the blog post.
Again, there are general guidelines, but each exhibit house will have their own schedule and availabilities. Fabrication is often the most straightforward part of the process. In other words, once everything has been decided, there are few surprises. But getting to the final design is what can take time. But it’s time well-spent. The sooner you start the conversation with a 3D exhibit designer, the better off you’ll be.
A good 3D exhibit designer is the key. She’ll know what questions to ask, how to draw out more details of what you want, and finally produce a mockup design for review and revision. This process can take what you might think is a lot of time. Prior to going into the first meeting, make a list of all of the items you need: meeting space, demo space, demo stations, stage, graphic display areas, etc. I’ve had clients bring us 2D “flat” graphic representations of what they wanted in an exhibit and it was a simple matter to convert that to a 3D rendering. I’ve had clients start with nothing, which meant we talked everything through in detail and let the designer take the lead and produce the first rendering, or a couple of options to choose from.
Different sized exhibits take varying amounts of time, as you might imagine. Custom takes longer than something “off the shelf.” If you want something simple, it’s often a matter of picking something from an online catalog, doing a little customizing and getting it in-hand in a month or two, not the five or size months you’d like for a larger custom island exhibit.
But if you’ve got a show on your calendar that’s six months out, no matter what size exhibit you have, if you’re targeting the show for a new one, it’s time to schedule that first conversation!
