One of the easiest ways to identify possible exhibits is to browse our Exhibit Design Search (go to TradeshowBuy.com) and add them to ‘My Gallery’ and then share that unique link with your colleagues.
Here’s how it works:
The first time you step into a booth space as an exhibitor can be a bit daunting. You may be part of a big team. You may be side-kicking it with just one other person. Or, I suppose, you could be doing it all on your own as a solopreneur.
Whatever the case, the trepidation is palpable. What if people think the exhibit is ugly? What if they ask a question I can’t answer? What if I don’t make any connections or sell anything and it’s a complete bust?
The first time I stood in a booth as an exhibitor after getting into the industry was in November 2003. I’d been in the industry for less than two years and was tasked with driving the rental truck with the 10×20 custom booth we’d made at Interpretive Exhibits to Reno and setting up the exhibit at the National Association for Interpretation annual conference.
It was scary and fun at the same time. I’d never navigated the unloading of a truck like that with all of the exhibit pieces, but with some advice from the shop guys who built it, I managed to get it unloaded and into the hall and get it set up.
The exhibit was a Tiki lounge-inspired exhibit, complete with a big Tiki god with glowing eyeballs, flaming mouth and vapors out of the top, like a volcano. It was designed to show potential clients the creativity our designers and builders could conjure up, and it went over well.
One of our designers flew down and joined me for the two days of the show.
When it came to actually be interacting with visitors, not much sticks out. I was still quite a way from figuring out what to do in the booth, so I tried to smile, answer questions and be a help as much as possible. Beyond that, not much comes to mind!
But it was my initiation into the world of tradeshow marketing. After I joined the company I’d sold a custom exhibits to local businesses, including Kettle Foods and Nancy’s Yogurt, but still had almost no clue as to what to say to people when I was actually in the booth.
Even with my lack of knowledge of what to do, I did know a few things. I knew why we were there, and I knew what we wanted to get out of it. We were exhibiting to connect with government organizations and non-profits that might eventually be looking for someone to design and build interpretive exhibits.
Our investment was minimal, and over time we might have actually gotten some business out of it. Frankly, I don’t remember because it wasn’t on my radar to track anything like that.
As the years went by and I participated in more shows, and helped clients do the same, it became clear that even if it’s your first show, there are a handful of things to keep in mind.
Know why you’re there. What is the goal? Is it to sell products or services? Is it to generate leads so a sales crew can follow up? Are you launching a new product?
Know how to capture data and what data you need. When generating leads, know exactly what information you need. Obviously, you need an individual’s name, company and contact info. Beyond that, what’s important about the follow up: is it a phone meeting, or in person? Do they need you to send information prior to the meeting? When is the meeting and is it scheduled on their calendar?
What’s your role? Every person at a tradeshow is there for a reason. Why are you there? Know your role, whether it’s to assist with other people, hand out samples, or coordinate logistics. A first-timer may not be tasked with a ton of things, but obviously that can change from business to business.
How does the tradeshow fit into the company’s overall marketing strategy? While this may not be critical in the big picture, if the front-line staffers on the show floor have a good understanding of the overall company marketing scheme, knowing how the tradeshow fits in that scheme will help.
You’ll only have one first tradeshow as an exhibitor, no matter your role. After that, you’re no longer a newbie. But if your first one has yet to come, go into it knowing that you’ll survive. Heck, you might even learn a few things and have fun. Once it’s over, take a quick little assessment. Speak to your manager and ask what they thought. Debrief a little. Take the feedback and apply it to your next show and voila’, you’re on your way!
What is perfection? Is it even possible? The pursuit of perfection is a great way to never get anything done. TradeshowGuy Tim Patterson breaks it down on this week’s TradeshowGuy Monday Morning Coffee:
This week’s ONE GOOD THING: The Family Acid on Instagram. And as noted in the podcast, here’s a link to the Daily Mail UK story on Roger Steffens’ new book.
Alice Heiman and Dianna Geairn of Tradeshow Makeover recently invited me to join them on their podcast to talk about, what a surprise, tradeshow marketing! Great fun, engaging conversation. Take a look and check out Tradeshow Makeover, too!
When I first got into the tradeshow industry back in ’02, table top exhibits were pretty cheap and boring. They were often small suitcase affairs that could be easily transported by one person and set up in just a couple of minutes. You’d fold it out, set it on a table, and often attach laminated images using Velcro tape. Or some exhibitors would cobble together small sample packs of their products with sell sheets or small ads in acrylic holders.
It wasn’t impressive or inspiring. But they were cheap, and easy to transport. So in a sense, they served a purpose.
Today, you can no doubt use much of those same table top exhibits. But there are a wide variety of table top exhibits that take things to the next level. Or three. Many of the new designs use materials such as fabric graphics (often backlit) that are more common in in-line and island exhibits. Prices have gone up, but so has quality and impact. Each exhibitor that’s sticking with a table top presentation has to decide if the extra cost is worth the impact.
Let’s take a look at a few table top exhibits:
Starting with what are called hybrids, the VK-1853 uses ‘to-the-edge’ silicon-edged graphics, an engineered aluminum frame and can pack in a small rollable case.
Another example of the hybrid exhibit is the VK-0005, which is essentially a SuperNova tool-less lightbox with shelves for product display.
On to the lightweight tension fabric, there are many examples, including the TF-403 and TF-405, both featuring lightweight metal frames and large format tension fabric. The TF-405 comes with an S-shaped frame which, because of its unusual shape, tends to catch the eye.
Moving on, there are a number of sustainably-engineered and produced table tops. One that catches the eye is the ECO-104T. And confirming that these are often shrunken versions of full-size in-lines, there are both 10×10 and 10×20 versions of this particular exhibit.
Another example of a sustainable exhibit is the TF-409, an Aero freestanding table top, which stands out with its double-circle design.
Folding table tops are probably associated with the vintage table tops, and the FT-05 is a good example of them. They are economical and easy to set up (as are all of these), and give a solid look.
And finally, the FGS (Floating Graphic System) pop-ups come in a variety of configurations, all of which offer a variety of graphic placements for products and branding. Here’s the FG-03:
Table top exhibits come in all shapes and varieties and in a wide price range. Many shows that exhibitors want to go to are smaller and they don’t need a big exhibit, or even an in-line, which is a great opportunity to show off your company in an impressive light for a price that is light on your wallet.
Check our full line of table top exhibits here.
3D Exhibit Designer and Graphic Designer Jack Hale sits down to discuss the ins and outs of tradeshow exhibit design and graphic design on this week’s edition of TradeshowGuy Monday Morning Coffee. Take a look:
Check out Jack’s work and website at JB Hale Design.
This week’s ONE GOOD THING: Last year’s Sting and Shaggy release, 44/876.
You can have the best booth, a well-trained staff, good products and more, but what about your tradeshow marketing results? How did you really do at the show?
Here are a handful of results and outcomes you can gauge.
Certainly, the most important two metrics to know and understand are leads generated and business generated from those leads. How many sales did you make?
And not only at the show, but in the months to follow. Many shows allow you to sell direct at the show, or strike deals for later delivery, but almost all shows will generate leads for follow up, which is where the money lies. To accurately track the Return on Investment, you’ll probably want to calculate a new ROI every so often, perhaps every quarter, to see how many leads converted to clients along the way. While you may still be tracking new customers from a tradeshow for as much as a year (or longer), I would think that knowing the ROI a year out is sufficient. And assuming you are going back to the same shows, you can start tracking ROI from that show separate from the previous show.
Beyond leads and sales, there are a number of “softer” items to track which can affect your tradeshow marketing results:
Feedback on various things. How did people react to your new exhibit, for example? Did it wow people, or was the reaction a little more ‘ho-hum’? Or is your older exhibit still impressing people?
Feedback on your products. Depending on what you’re pitching or launching, gauging people’s reactions to those items can be very valuable. If it’s a complicated piece of software, for example, is it easily understood? Does it spur a number of unexpected questions? If you’re test-tasting new flavors of your food, what does the look on people’s faces look like when they’re first biting in? If you’re pitching a new service, is it easily understood?
Feedback on your marketing message and graphics. Do visitors immediately understand what you’re trying to do? Do they ‘get it’?
Booth staff: does your booth staff know how to engage for positive results? Do they know how to approach people, or are they sitting in the back of the booth on their phone or eating? These actions can affect your results in a positive or negative way.
Finally, look around at other exhibitors: how do you compare to them? Are your products similar or do they stand apart? Does your exhibit compare favorably to direct competitors (size, layout, attraction, function) or does it look a little pale in comparison?
There are so many things you can measure to check your tradeshow marketing results. The great thing about tracking so many things, even informally, is that you can more easily compare those results year to year, show to show and determine if tradeshow marketing is working really well, or if you need to focus on some specific things to improve.
You have literally a few seconds to catch a tradeshow attendee’s attention. You’ve been there: walking the show floor, heading across the hall. You see someone you know; you get distracted, you spill your coffee on your pants. There’s always something that keeps you from paying attention to the tradeshow exhibits around you.
Even highway billboards sometimes get more attention than your booth.
Which means that people are ignoring you. Not because you don’t have something good to offer. Not because you are slacking in the ‘look at us’ department. But if you’re doing just the average approach to getting attention, you’ll be, well, average when it comes to having people stop. What are some of the top ways to get attention?
Do something different. Unexpected. Unusual. I often point to the Kashi island exhibit that’s shown up at Natural Products Expo West in at least a couple of iterations the past few years. It’s simple, and it delivers a simple message. It invites people to stop and find out what it is. The design itself is unusual enough that it stops visitors.
Hire a pro. A professional presenter knows how to stop people in their tracks, entertain them and deliver a powerful message in just a few moments.
Have something for them to do. Interactivity means, if the activity appeals to them (chance to win a prize or get a little mental engagement), they’ll stop. And of course a small crowd draws a bigger crowd.
Ask a great question. Take a tip from our pal Andy, who specializes in teaching this to his clients, there’s a lot to be said for knowing how to immediately engage with someone in a positive manner.
Offer a space for people to sit and charge their phones. This usually takes a bigger booth than just a small inline, which means you need a little space to spare. But if you can get random visitors to sit for ten minutes, offer them something valuable: a bottle of water, a chance to view a video about your company or product.
Lots of ways to capture a tradeshow attendee’s attention – it just takes a little planning and execution and you can be drawing them in.
This is one episode of TradeshowGuy Monday Morning Coffee where you’ll definitely learn something! Howard Berg, known as the world’s fastest reader, teaches us a few things about reading and learning. Fun and worth your time – take a look/listen:
Check out BergLearning.com and save ten percent with the code TRADESHOW10.
This week’s ONE GOOD THING: summer fairs, art fairs, music under the stars…
Yes, I love oldies. Spent a lot of time on the radio at an oldies station playing them and shouting over the top of the intro, which was basically required for Oldies radio. Which great oldies of the Sixties might we apply to tradeshow marketing here in the ‘teens of the new century? Let’s go year by year through the Sixties:
1960: Money (That’s What I Want) by Barrett Strong. Yes, it’s all about the money. How much you spend, how much you make from the leads you gather, and most of all about the Return On Investment.
1961: Hit the Road Jack by Ray Charles. As tradeshow marketers, we spend a lot of time on the road. We become road warriors. Sing this little tune to stay in the road warrior groove.
1962: The Loco-Motion by Little Eva. Written by Carole King, this tune knows all about the movement. And tradeshows are all about the movement. How many shows a year? How many different cities? How many people do you talk to at each show? You’re always on the move, always in motion.
1963: Sugar Shack by Jimmy Gilmer and the Fireballs. Grabbing a snack on the road? Why does it always seem to be a donut, or maybe a piece of banana bread, or perhaps a Frappucino? Whatever it is, it’s probably loaded with sugar.
1964: People by Barbra Streisand. Yes, as a song it’s a little downtempo, but tradeshows are all about the people. By the thousands! Ya gotta be able to get along with people when you’re in the tradeshow world!
1965: (I Can’t Get No) Satisfaction by the Rolling Stones. As hard as we try at tradeshow marketing and as successful as we are, most people I speak with feel that they could have done better if only they did something a little different. We’re never satisfied, are we?
1966: Summer in the City by the Lovin’ Spoonful. It seems there’s always at least one tradeshow on the schedule that takes place in a hot city in the middle of summer. This one is a perfect soundtrack for that show.
1967: Let it Out (Let it All Hang Out) by the Hombres. A goofy sort of song, but important when it comes to interacting with visitors. Don’t hold back. Be open, be willing to give plenty of your time and energy. Let it all hang out.
1968: Tighten Up by Archie Bell and the Drells. On the showroom floor, there’s chaos and confusion. There’s pitching and sampling and demos. And it’s easy among all of the activity to just let things go. But pay attention and tighten up in your presentations, your conversations, your booth.
1969: I Can’t Get Next to You by the Temptations. In every show there’s that one client that you’d like to catch. But for some reason they remain elusive. Keep trying. The Temptations are doing their best to urge you on!
Now that the Sixties are over as far as the top ten oldies to help with your tradeshow marketing, are there any songs we missed? Or should we move on to the Seventies?
