Best tradeshow marketing tips and case studies. Call 800-654-6946.
Best tradeshow marketing tips and case studies. Call 800-654-6946.

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What Story is Your Tradeshow Exhibit Telling Potential Partners?

Yes, we know that your tradeshow exhibit tells a story. Often, a great exhibit design will capture the brand so accurately that the design is often all that is needed. But frankly, that’s the exception more than the rule. But even without an iconic design that broadcasts what your company is about, your tradeshow exhibit tells a story anyway.

Here’s how:

Design: even an average design can be executed well and tell a big part of your story. But a compelling story can come to life. Tell the story of how you created the soft drink because your Grandma used to make something similar when you were a kid. Or how you invented something to help a friend. Doesn’t really matter, your product or service likely came from some inspiration. Can you tell the story of that inspiration in a concise way using graphics and 3D elements?

Graphics: here’s where most of the story is told, and the weight of this rests on your graphic designer and marketing team that is communicating the correct message to the designer. Get it right and you’ve done better than most of your competitors. Get it wrong…?

Craftsmanship: not all exhibits are built from scratch. Depending on where you purchase your exhibit, it may be something that’s designed and built from scratch in the USA. Or it may be from an overseas manufacturer and it came direct from a catalog showing thousands of similar designs. With an overseas manufacturer involved, you will be hard-pressed to know the quality of the materials used for the exhibit.

Cleanliness: at least this is something you have quite a bit of control over during the show. But a clean booth tells a story. So does a dirty booth.

People: the booth staffers are your front line. Are they well-trained in how to engage with visitors? How to ask the right questions? How to politely disengage? How to act in a booth (stay off their phone, don’t eat, etc.)? Whether you like it or not, visitors will forget a lot of things. But they’re very likely to remember an unpleasant or below-average encounter with a booth staffer. Just like they’d probably remember an encounter that impressed them.

Stories are told with every piece of your marketing and your prospect’s interaction with your company. What story are your prospects being told, and what are they remembering? And is that story in line with your goals?

TradeshowGuy Monday Morning Coffee, July 15, 2019: Ken Newman

On this week’s TradeshowGuy Monday Morning Coffee, a lively interview with Ken Newman of Magnet Productions, a professional tradeshow presentation company based in San Francisco. I’ve had Ken on the show before, although it’s been awhile, and I wanted to catch up and talk about three things: what’s up with Magnet Productions; his involvement in music and how that music involvement led to his involvement with Blanket the Homeless, a SF non-profit.

Find Ken’s Magnet Productions.

Blanket the Homeless in San Francisco.

And this week’s ONE GOOD THING: summer bicycling!

Learning to Ride a Bicycle

I recall the moment I learned how a bicycle works, and how I learned to ride a bicycle. I must have been 6 or 7 when I first tried. It was about the same time I first got on skis, but that’s a different story. I was reminded of that feeling when I saw a young bicycler with her mother this morning. The youngster was dressed in a unicorn mohawk bicycle helmet, colorful clothes and a unicorn back pack. I complimented her on the outfit – it really was stunning. Her mom said, “Say thank you!” which the young girl did.

Now there’s a bike helmet!

Her bicycle had training wheels, which made me think of when I was about that age and learning. I didn’t have the luxury of training wheels (an aside: maybe kids really shouldn’t have training wheels, after all).

In any event, that feeling of accomplishment, of empowerment, is overwhelming. I remember that feeling after riding 50 feet on a bicycle without crashing or falling.

YOU DID IT! I told myself.

And while that feeling was powerful, it comes around again and again in life when you learn more skills. I felt the same thing at times when learning to ski. Or learning to play the drums. Or the guitar. Or give a speech. Or publish a book. And so on.

Feeling that powerful emotion that’s tied into grasping and then learning a new skill is valuable. It reaffirms your sense of belonging. This works for me. I can do this.

It tells you that you’re on the right track. And it can apply to learning interpersonal communication skills, business skills, physical skills.

It reminds you that being human is a good thing. A great thing.

And ultimately, it tells you let’s learn something more. Now.

Applying the Modern Business Plan to Tradeshow Marketing

The ‘modern business plan’ was hatched on a blog post by Seth Godin. I was a recent enrollee in Godin’s The Marketing Seminar, where at one point we were referred to the post which breaks down the five elements of what he feels are the important parts of a modern business plan: truth, assertions, alternatives, people and money.

It’s also possible to apply that thinking to how you approach tradeshow marketing.

The truth of tradeshow marketing would be the facts and figures of the specific show(s) that you plan to participate in. How many people attend? What percentage of decision-makers and influencers are among the attendees? Who are the competitors/exhibitors?

Assertions might include your thoughts on what you believe you know that is not necessarily supported by data. What new products are you launching that might be similar to new products from competitors? What types of marketing tactics and strategies are those competitors using? This is where you state what you believe to be true, although you might not be able to prove it.

Alternatives: ­This is where you play the “what if” game. What if things go wrong? What is your plan B? What if you get lucky by meeting the exact prospect that you didn’t anticipate? What if your top salesperson is poached by a competitor? Hey, anything can happen. At least opening your mind to some of those possibilities gives you a chance to chew them over.

People: who are your best people and how can you best use them? Where are your weak spots and how can you improve with them? Do you need to acquire people to get your tradeshow department to run like a clock and not like a Rube Goldberg machine?

Finally, money: Budgeting, logistical costs, personnel costs. Return on investment, cost of samples. You know the drill. But are your numbers accurate? And did you run the calculations a year later after the show so that you actually know what your return on investment really is?

What is your Return on Objective? Thanks to the Exhibition Guy Stephan Murtagh!

There are any number of ways of looking at your business or marketing plan, but taking this approach helps to clarify several issues at once. Give it a try!

TradeshowGuy Monday Morning Coffee, July 8, 2019: Experience

Do you have ten years of experience? Or do you have one year of experience ten times? Or does it even matter, because you’re learning and growing regardless?

This week on TradeshowGuy Monday Morning Coffee I take a look at experience from a number of angles.

Here’s the review of the Rolling Stones July 3rd concert I reference in the podcast (it’s a great one!).

And this week’s ONE GOOD THING: outdoor hiking in the summer.

TradeshowGuy Monday Morning Coffee, July 1, 2019: Friendship

There are as many different kinds of friendships as there are friends. Some are business-related, some are school or college-related, others are just friendships you struck up from people you met randomly. This episode of TradeshowGuy Monday Morning Coffee peeks at friendships.

Here’s a link to 50 Inspiring Quotes About Friendship from Inc.com.

And this week’s ONE GOOD THING is the Mueller Report.

Tradeshow Marketing: What is it for?

Borrowing a riff from Seth Godin – “What is it for?” – is a good place to start when considering tradeshow marketing.

Not only “what is it for?” but the alternative approach of “why are YOU doing it?”

There are many ways to look at tradeshow marketing and using the “what is it for?” approach can be very helpful.

Is it for selling? Is it for launching new products? Is it for maintaining brand awareness in a crowded marketplace? Could it be for maintaining relationships with clients? What about showing off the speaking and knowledge abilities of your top managers by having them appear on a panel or give a keynote or breakout session?

There are no wrong answers, as long as it’s something that is valid and true. One that makes sense to you and your company. If you don’t know what it’s for, maybe you should start from scratch and figure that out.

Notes from Working with Potential Tradeshow Exhibit Clients

Not every company where there’s a sales conversation turns into a tradeshow exhibit client. In fact, it’s probably a fairly low percentage. However, each encounter has its own distinct flavor and outcome. And of course, learning experience.

No matter what company you’re trying to sell to, it’s impossible to be a fit for everyone. In fact, that’s what I tell prospects: “Let’s talk about what you are hoping to do to see if we’re a fit.” That way, the pressure is taken off. So many buyers are uncomfortable with reaching out to tradeshow companies or any company where the purchase is fairly large and time-consuming because of the pressure they think will come to them.

Let’s examine some of the interactions more closely and find some takeaways:

Example One:

I reconnected with a company that was familiar with while attending a tradeshow and started chatting. We knew each other from a previous design request in past years, and although we didn’t get the business then, they were ready to upgrade. This time it was for a larger exhibit, and even though they were comfortable working with their current provider they felt it was worth talking to a few others. Since we had a connection and had previously shown them our design work, we were asked to respond.

Respond we did. A budget range was set, an exhibit was designed based on their stated functional objectives and submitted prior to their deadline. The final pricing was presented in a range depending on options (type of graphics, backlit panels, custom vs. catalog counters, etc.). And while the overall price range started in their proposed budget range, it did run above that figure once all the options were chosen.

Towards the end of their decision date, we were politely told that their current vendor had won the business. Why? They had essentially the same design, but a significantly lower price.

Takeaway: Price speaks loudly. It’s easy to look at this from a number of angles. Price speaks loudly, often more loudly than the overall design and, the quality of workmanship and materials. Without knowing exactly what the current vendor is proposing, it’s impossible to know what materials would be used, what the design is, or how it’s built. But it’s not hard to take a look the next time it’s set up at a show.

Example Two:

This company was also a company I met at a tradeshow, and once they found out what I did, they expressed interest in upgrading to a new exhibit (this business usually has a long sales cycle, especially for new custom builds!). The conversation, which picked up and died down off and on for nearly eight months, finally led to a decision to proceed with us. That’s when the fun started!

I like it when clients ask question. The more the merrier. That wasn’t always the way, though. I had to learn that questions from clients (and prospects) are good. This client asked more questions than any other I’ve had before or since. Details, details, details! More questions about details than any other I’ve had. And frankly, they were asking questions about elements of products that I was unfamiliar with, so that lead to a lot of back and forth with producers, subcontractors and other vendors. At one point, they apologized for asking so many questions, but frankly, I didn’t mind. Not only did they get the exhibit they really wanted, they learned a lot along the way. As did I! You can’t ask too many questions about something you’re buying, especially when tens of thousands of dollars are involved.

Takeaway: Questions are good. You can never ask too many questions. It demonstrates interest and engagement.

Example Three:

Hands-Off Client. Some clients see the big picture and don’t get bogged down in details, except the ones that are important to them. Here’s an example of a company that we met with a few years ago, pitched them on a project that included a design for a 10×20 that met their budget. We were told they were also reviewing at least one other exhibit house, but the design struck gold and we ended up with the business. Since then, they’ve been very active in upgrading and expanding, but when it comes to the back and forth in creating new designs, there are very few questions, unlike our previous example. Typically, they’ll have their ducks lined up with 2D design concepts and proposed changes and are ready to move forward. As long as they have graphic dimensions, design details are left up to us. They chime in with comments suggesting modest changes, but otherwise it’s more of a “30,000-foot level” approach. Nothing wrong with this approach, just as there is nothing wrong with asking countless questions. As long as it works for the client, it works for us.

Takeaway: Trust. When a client that knows your work is at that level of engagement and stays mostly hands-off, it shows there is a great deal of trust involved.

Example Four:

We were contacted by a company that ran across our company website and asked if we were interested in responding to an RFP for a 30×30 custom booth at a tech show the following year. While there are pros and cons to responding to RFPs, we decided to proceed. The communication with this potential client was almost clinical, and I felt as if we were a million miles away. It was hard to get specific answers to questions. Everything was going to a committee at the end anyway. But we submitted a design and price that fit their price range to a T. As indicated in their decision process, the top three qualifiers would be required to present either at the company’s HQ in the Bay Area or via the web. Given the contact’s lack of genuine engagement during our design process and creating the RFP where we peppered them with questions regarding various aspects of the RFP, it was no surprise that we didn’t make the final cut. I still wonder why they were so interested in having us submit.

Takeaway: Trust your gut. From the beginning, this felt like we were a third wheel. The company probably needed to have a certain amount of RFP responses, most likely arbitrary, which lead to at least one or more exhibit providers submitting responses without a ghost’s chance of actually getting the work. But that’s the way the business world often works.

TradeshowGuy Monday Morning Coffee, June 24, 2019: Mentorship

Mentorship is often informal, yet can still have a big impact. When its formalized, it can become even more impactful. IF…it’s done right.

This episode of TradeshowGuy Monday Morning Coffee looks at mentorship.

Link to the mentorship article on Forbes.com mentioned in the video and podcast.

This week’s ONE GOOD THING: Showtime’s Billions.

11 Ways to Attract Attention at a Tradeshow

Wear colorful branded clothing. Whether it’s a staff of two or three, or twenty, having colorful branded clothing will immediately let visitors know who’s working the booth and who’s a guest. Bright colors attract, so put your logo on the front and an enticing message on the back. And to change things up from day to day, create a different colored set with a different message for each day of the show, and make sure your crew coordinates. Bright colors, especially if they’re tied into your brand work well: yellow, red, orange, blue, fluorescent.

Setup a giant prop and invite people to take a photo. Could be anything: a mascot, a giant purse, a full-size model of one of your products (if it’s small, for instance); something that stops people in their tracks. I’ve seen mascot, angels, musicians, giant hanging props, exhibits made from bicycle frames and more. They all had one thing in common: they begged to have their picture taken.

Once that photo has been taken, invite the visitor to spread the word on social media and include the show hashtag to make sure the post gets seen. Offer prizes to people that photo and share online.

Give something away and offer an incentive to wear it. One way is to print up a few hundred t-shirts or hats with your logo along with a fun message and tell people that if they put it on right there, they can also take home another gift. And tell them if you catch them wearing it at an after-hours show (be specific as to which one), you’ll be giving away $50 bills to random shirt wearers. This type of promotion gets others involved and spreads the word about your booth and products throughout the show.

Have a unique exhibit that begs to be seen. Sounds straightforward, but to break out of the cookie-cutter mold, it takes a designer that’s willing to create something unique and wild and a company that’s willing to spend to make it a reality.

Give visitors something to DO. Interactivity goes a long way. At the NAB Show, there were several exhibitors that gave visitors a chance to learn new software by joining them for a free class. Not only are you drawing interested people in, you’re keeping them involved for up to an hour and showing them exactly how the product works.

Contests. Give people a chance to win something by guessing the number of beans in a jar, answering a quiz, spinning a wheel or something else increases the chance you’ll get visitors to stop at your booth. Make sure to engage them in a brief conversation to uncover their needs regarding your product.

Famous mugs. Lots of companies hire famous (or at least semi-well known) people to be a part of the show. Authors, speakers, sports stars, actors, and so on can all draw a crowd. Authors in particular, if they’re in your industry, can be a good draw if they have a new book out. I’ve seen dozens of people in line to pick up a free copy of a new book and get it signed by the author (and snap a selfie!), and I’ve waited in line to get a prop soft baseball signed by Hall of Famer Ozzie Smith.

Comment wall. I see these more and more. Ask a bold question or make a bold statement and invite people to chime in with their thoughts on a wall. Invite people to snap a photo of what they wrote and share it on social media (make sure the wall is branded and has the show hashtag on it).

Bring media production to your booth. Know someone that is a podcaster in the industry? Invite them to record a few episodes of their show in your booth, and make sure to provide some good guests for them, whether it’s people from your company, or others. The simple act of recording a show in your booth will make a lot of people stop. That’s a good time for your staff to engage those visitors politely to find out if they’re prospects.

If someone in your company has written a book, offer free copies of the book along with free printed photos with visitors and the author. This has worked great for years for Bob Moore of Bob’s Red Mill, one of our long-time clients at TradeshowGuy Exhibits. Every time they exhibit at the bigger expos, Bob spends time signing books and posing for photos while a photographer takes photos and has them printed up in a few moments for the visitor.

There are literally countless ways to draw crowds to your booth. It all boils down to creativity and execution. What can you do to improve the traffic at your next show?

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Tradeshow Guy Blog by Tim Patterson

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